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Steve
Buttry, Writing Coach, Omaha World-Herald, offers tips
for writing clearly on deadline. (This version was updated
on July 21, 2002)
Questions?
Call Steve at (402)444-1345.
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Writing Clearly
on Deadline
- Anticipate deadlines.
The most routine deadline writing for many reporters is covering evening
meetings, then returning to the newsroom for a quick turnaround for
the morning paper. See how much reporting and writing you can do before
the meeting. Meetings in themselves are not interesting. That's why
you won't find many people at most of them. But the meetings deal with
important issues. Take some time before the meeting to examine the agenda
and report on issues to be covered. Let's say the meeting is about possible
cutbacks in the school district's program to teach English as a second
language. You talk to ESL teachers, students and parents beforehand
and to advocates of mainstreaming students who don't speak English.
You do most of the reporting and writing before the meeting on a story
about changes in the ESL program. And your writing after the meeting
is simply a few paragraphs adding the outcome of the vote and a couple
quotes from the meeting.
- Write, don't
ponder.
One of the biggest time-wasters on deadline is the lede. Don't ponder
the lede while you look at a blank screen. Write a simple declarative
sentence: "The school board voted Tuesday to cut funds for its
program to teach English as a second language." That will get you
launched. Keep writing. Maybe halfway through the story, you will think
of a better lede. Then you can go back and fix the lede, and maybe that
will require fixing a few other grafs. You will have more of the story
written than if you had tried two or three ledes and stared at the blank
screen for a while. You don't have time for that on deadline. Write
the story, and hopefully the writing will bring out the best lede. Even
if it doesn't you probably will have a better story with a simple declarative
lede followed by a full, well-written story than with a polished lede
reflecting heavy labor, followed by a story that was rushed and incomplete.
- Write as you
report.
If you're working a story by phone, you're going to have some dead time,
maybe a few seconds at a time when you're on hold or waiting for someone
to answer, maybe a few
minutes while you're waiting for people to return calls. Start putting
the information from your last interview into story form. Even if you
don't know where it will go in the story yet, start writing paragraphs
that will fit somewhere. Write a lede based on what you know so far.
In addition to starting your writing, this helps sharpen the focus of
the reporting that remains. Writing as you report allows you to continue
your reporting closer to deadline. Writing in chunks, with frequent
interruptions as you return to reporting, can lead to choppy writing.
You need to fix this by using some of the time you save to read back
through the story to polish and make it flow smoothly. If you are at
the scene and need to run back to the newsroom to report, you can't
physically write as you report. But start writing or outlining the story
in your head or in your notebook during moments when you find yourself
waiting. The story will come faster when you sit down to a keyboard.
- Identify the
minimum story.
Decide early what your minimum story is, the story that answers the
basic who, what, when, where questions. This is the story that meets
basic levels of journalistic competence and allows you to keep drawing
a paycheck next week. This is your first goal.
- Identify the
maximum story.
Decide early what your maximum story might be, the story that readers
will be talking about at work and in coffee shops the next day. This
is the story that your editors and readers will remember, that marks
you as a star performer. This story may answer difficult how, why, so-what
or how-much questions or it may address the who-what-when-where questions
in greater depth. The maximum story may have such enticing elements
as setting, plot, characters and dialogue. You are looking for elements
that might make this story especially memorable. This is your ultimate
goal.
- Secure the minimum,
then pursue the maximum.
If you're not on deadline, you might gather the information for the
minimal story fairly early, then build incrementally to the maximum
story. Or you might start with some of the information for the maximum
story and spend a lot of time with that, knowing you'll be able to fill
in the basics later. On deadline, you want to identify immediately the
potential sources who could provide the information for the minimum
story and get the information from them as quickly as possible. Then
you zero right in on the sources who might provide the maximum story.
Maybe you can't get the maximum story on deadline. It might be a second-day
story or a Sunday follow-up. But go for it. If you don't land the maximum
story, you're likely to gather material that will improve on the minimum
story.
- Reassess frequently.
Before and after each interview, assess quickly what you still need
to nail down the minimum or maximum story. Go quickly to those elements
in your questioning. Go to the sources who will provide that sort of
information. Also assess whether your new knowledge changes the maximum
story you are pursuing.
- Avoid redundant
interviews.
If you don't have time to interview all the desired sources, avoid those
who will waste your time with information that is largely redundant.
For instance, in a crime or disaster story, one official source may
provide all the basic information for your minimal story. Once you get
that information, you might want to focus your energy on unofficial
sources who can give your story greater human dimension, rather than
going to other official sources. If you have time, the other official
sources will provide valuable detail, but the maximum story often rests
with unofficial sources. If you haven't identified the unofficial sources
yet, other official sources may help lead you to them.
- Save time online.
Search quickly online for information that will help your story. You
might find a report from a source you wouldn't be able to reach by telephone
on deadline. You might find background. You might find contacts. You
might find predictions that this would happen. Be careful of your sources
and be careful of wasting time chasing dead ends. Depending on what
you already know and how tight your deadline is, searching the Web can
save time or waste time. It's often worth at least a brief try.
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