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Journalists dare
to take on the ultimate writing quest
I've worked as a consultant and coach in more than 30 newsrooms. I've
lectured to packed crowds at journalism conventions. I've spoken with
students at the finest journalism schools in the nation. Along the way,
I've been reinvigorated by journalists passionate about making a difference
for their readers and their communities.
That's why, when this year's New York Press Association convention drew
near, I decided to try something different - even dangerous. I wanted
no less than to walk into that conference room knowing I was going to
share a piece of advice that would transform writing just by its very
mention.
I pictured myself
whispering it into a reporter's ear. He'd pause. Then a glint of recognition
would appear as he dropped to the ground, overcome with understanding.
"I see it all now," the journalist would exclaim. "It's
so clear to me."
We'd call it the Greatest
Writing Tip the World Has Ever Seen.
When I shared my vision
with friends and colleagues, I could see the doubt in their eyes. But
like that first ascent of Everest or the search for the perfect chilidog,
it was a quest worth pursuing.
I started by going
to the experts. I posted a message on NewsCoach, a listserv hosted by
The Poynter Institute that gave me access to the finest newsroom trainers
and educators from across the world. Give me your favorite writing tip,
I beseeched. Share with me that one gem that has served you when all others
failed.
And they responded.
I collected nearly
50 e-mail messages and boiled them down into 23 tips on writing.
Some were simple pieces of advice. "Read," said Lynn Kalber
of The Palm Beach Post. "
it's surprising how many reporters
don't."
Others offered more practical career advice. "The best tip I ever
heard was 'Go to law school,'" wrote John Burr of The Florida Times-Union.
"I think this had as much to do with this person's assessment of
my talent as it did with the state of the newspaper business."
As I pored over the list a problem emerged. I realized that I alone could
not choose the Greatest Writing Tip the World Has Ever Seen. I needed
help.
The mood in the conference
room was electric. The journalists' instincts told them something momentous
was about to happen.
I stood before them, pausing to let the tension build. Then I told them
they were about to become a part of history.
"Together," I shouted, holding my hands out in a sweeping gesture
like Moses or John Madden, "we are going to choose the Greatest Writing
Tip the World Has Ever Seen."
Silence. Perhaps it was fear, but some people actually ran out of the
room. Others whispered to their neighbors and giggled with nervous laughter.
I'll admit it now. I was scared. But there was no looking back.
We broke up into small groups, with each receiving a stack of newspapers
and a sheet of paper containing just one of the writing tips. Each group
was charged with testing out their writing tip on a story they chose at
random from their pile of newspapers. They'd discuss whether it was useful
to them and then they'd switch and try out another tip.
And so on.
We pressed on like this for more than an hour.
I ran around the room exchanging writing tips as the groups feverishly
tried to test out as many of the techniques as they could.
With about 20 minutes left, we stopped and nominated the six finalists:
Finding the Focus, Finding the Nutgraf, The Great Lede Test, Jargon Hunt,
Quote Alert and Details, Details.
The final vote brought about a clear winner: The Great Lede Test, submitted
by Kathy Norton, the public editor of the Poughkeepsie Journal.
Then, a controversy threatened to derail this momentous event. From the
back of the room came shouts that the vote had been split because the
focus and nutgraf tips were too similar. These two categories should be
combined and a new winner announced, some insisted.
But no hanging chads were going to interfere this time. The numbers stood.
We had chosen our winner.
As we reveled in what
we had done, I asked: Is this really the Greatest Writing Tip the World
has Ever Seen? Many in the audience felt other tips worked better for
them. Others just wanted to know why lede was spelled incorrectly.
I asked how many of them tried new writing techniques on a regular basis.
Several said they were too busy to be experimenting with new things on
deadline that might throw them off their schedule.
But they also agreed that in the last hour they had discovered at least
one new way of looking at their writing that might help the next time
they're staring down a 30-minute deadline and a story that's going nowhere
fast.
Which made me wonder.
Could it be that the Greatest Writing Tip the World Has Ever Seen is not
one specific idea? Could it be that the best piece of advice I can give
to any journalist is to keep striving to find new ways to write because,
in that search, they'll keep expanding their skills and keep growing as
wordsmiths?
A friend once told me that the greatest teachers are those who never stop
learning. Maybe this same message works for journalists.
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