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Michael
Schwartz , Manager of Editorial Training, COXnet and
Cox Newspapers, looks at ideas for writing better profiles.
(Originally
published in the
October 2006 issue of the Cox Academy Training Newsletter.)
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Put some POP! into your profiles
Charlotte Observer
columnist Tommy Tomlinson suggested to Cox Ohio Newspapers
reporters that they should consider using these curious devices when
writing profiles:
- Find your
inner 4-year-old
- Wear out a post
hole digger
- Think of your story
as a shark
- Use the
lesson of the movie “Casablanca”
What in the world
did he mean?
We’ll get to that in a minute. For
now, let’s see what brought Tomlinson to Dayton in the first
place.
He was one of three
speakers who participated in the two-day Cox Academy Ohio Workshop.
He presented three sessions, including:
- “People in
3-D: How to write profiles that make your subjects come alive”
- “Two-minute
warning: How to self-edit on a tight deadline”
- “Making
your people look good: How to use coaching and other strategies to
help your staff succeed”
He was joined on
the program by The Atlanta Journal-Constitution’s
Obituaries Editor Kay Powell and The Palm Beach
Post Presentation Editor Mark Edelson.
Powell offered a
variety of tips and strategies
to successfully interview victims of
tragedy.
Edelson
presented
a three-hour workshop on visual storytelling; specifically,
how to effectively use single and multiple photos as well
as the packaging
of words and pictures to present stories well.
Now, back to those
Tomlinson ideas for writing better profiles. Here is what he meant:
Find
your inner 4-year-old:
Use
the same word with your subject that most often comes out of the
mouth of a 4-year-old — “Why?”
Wear out a
post hole digger:
Go deep and narrow on
your subject, about the width of a post hole digger, not wide and shallow
with little focus.
Think of your
story as a shark:
Sharks have to keep moving to stay alive and your story
needs to move, too, if you want to keep your readers engaged. Use scenes,
dialogue and cliffhangers to create movement.
Use the lesson
of the movie “Casablanca”:
Who
doesn’t remember the final scene of the movie where Rick and
Captain Renault are walking across
the rain-soaked runway? And Rick’s
final words: “Louis, I think
this is the beginning of a beautiful
friendship.” But who can recall
the opening scene of the movie? Tomlinson’s
point: Pay as much, or more, attention
to the end of the story as you do
to the beginning.
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